{"id":130959,"date":"2023-09-25T18:59:43","date_gmt":"2023-09-25T18:59:43","guid":{"rendered":"https:\/\/bluemull.com\/?p=130959"},"modified":"2023-09-25T18:59:43","modified_gmt":"2023-09-25T18:59:43","slug":"nicolas-party-ponders-on-the-end-times-in-new-hauser-wirth-exhibition","status":"publish","type":"post","link":"https:\/\/bluemull.com\/lifestyle\/nicolas-party-ponders-on-the-end-times-in-new-hauser-wirth-exhibition\/","title":{"rendered":"Nicolas Party Ponders on the End Times in New Hauser & Wirth Exhibition"},"content":{"rendered":"

The end times may dominate the news cycle, but the premonition of the apocalypse is nothing new. Images of great floods, rampant fires, and incessant suffering is riddled within the pages of religious texts and the canons of art history, from Dante Alighieri’s The Divine Comedy<\/em> (1321), J.M.W. Turner’s The Deluge<\/em> (1805) to Nicolas Party‘s latest solo exhibition at Hauser & Wirth.<\/p>\n

Housed at the gallery’s New York location, Swamp<\/em> creates a bridge between past and present, as the Swiss artist recontexualizes history in his characteristically subversive style. Upon entering, visitors will be immersed by a massive pastel mural depicting a forest fire, a prevalent scene today, where awe and angst sets up the stage for Party’s latest oil-on-copper paintings dedicated to 19th-century French realist painter Rosa Bonheur. \u201cForest fires are one of the most visually striking events of our time,\u201d he told CULTURED<\/em>. \u201cI want the exhibition to have that kind of transcendent quality, rooted in today, but linked to the past. Frightening, but also beautiful.”<\/p>\n

<\/path><\/g><\/g><\/g><\/svg>View this post on Instagram<\/p>\n

A post shared by @nicolasparty<\/p><\/blockquote>\n

A radical artist for her time, Bonheur centered animals as the focal point of her practice, one to which Party honors by placing a dog, donkey, goat, and eagle in the foreground of each of his portraits. Dialing the clock back to the Mesozoic Era, Party created a new series of cabinet paintings, such as Triptych with Dinosaurs<\/em> (2023), as a meditation on what came before humankind and perhaps what is to come if we were to go extinct. \u201cFirst there are these giant lizards, but shit goes down and the dinosaurs disappear. Then these overly smart monkeys emerge,\u201d the artist added. \u201cI can\u2019t help but wonder what will dominate when humans disappear.”<\/p>\n

The exhibition follows a recent text Party wrote with Xavier P. Solomon on artist Rosalba Carriera, who was spotlighted as the latest figure in the Frick Diptych Series of books. For those in New York, witness Party’s vision of the end times at Hauser & Wirth until October 21. <\/p>\n

In related news, Hauser & Wirth is showcasing a new art exhibition by Harmony Korine. <\/p>\n

Hauser & Wirth<\/strong>
542 W 22nd St
New York, NY 10011
\nSource: Read Full Article<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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