Get lifetime access to an MBA program from an award-winning professor

We’re willing to bet that the reason you’ve avoided going back to school has to do with time, money, your current zip code, or some combination of the three.

It’s why of late, there has been a slew of online MBA alternatives floating around, some even taught by real business school lecturers. One such program we’ve spotted is the Haroun Education Ventures MBA Degree Program, a 400-hour course that is led by award-winning MBA professor and Berkeley, Stanford, and The Hult International School of Business lecturer, Chris Haroun. The concept of the course is that anyone (from any location) can grow their business acumen and skills in as little as a year and without the need to give up their full-time jobs.

The curriculum of the MBA Degree Program differs from accredited MBA programs by solely focusing on practical business concepts. These include how to network, how to find customers, perfecting business presentations, crafting essential documents, digital marketing tactics, and how to start and scale a company of your own (just to name a few). The goal is that students can walk away from the course having a wealth of information they’ll use on a day-to-day basis in the workplace.

In order to complete the full suite of classes offered, students will want to carve out about six to eight hours of their time every week. The good thing is that the MBA Degree Program offers lifetime access to all of the materials, so if you need to take a week off here and there or limit your training to a few hours every week, you have full license to do so.

As of today, over 800,000 students have enrolled in the course, with many singing the MBA Degree Program’s praises. As one student notes, “There is more to the program than what I initially expected. It has been much more than an educational experience. It has been a phenomenal training as well as personal growth and professional development experience as well.” Another student even goes so far as to say “enrolling in the Haroun Education Ventures MBA Degree Program is the best investment you can make in yourself be it for your career or business, period.”

Normally priced at $499, the Haroun Education Ventures MBA Degree Program is currently on sale for $399 — a fraction of the six-figure tuition fees you’d otherwise have to pay.

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Former 'Bachelor' and 'Bachelorette' Winners: Where Are They Now?

A final rose isn’t forever. Not every couple survives the reality TV curse, especially in Bachelor Nation. However, that doesn’t change the fact that the franchise is one of the most — if not the most — popular reality show on TV.

When The Bachelor first debuted in 2005, not even host Chris Harrison would have predicted that it would result in five different spinoffs: The Bachelorette, Bachelor Pad, Bachelor in Paradise, Bachelor in Paradise: After Paradise and The Bachelor Winter Games.

In 2020, the show is a bit different after a handful of scandals surfaced. During season 4 of Bachelor in Paradise, production was shut down following a sexual misconduct complaint involving Corinne Olympios and DeMario Jackson. The situation made headlines for months and rules were changed the following season.

Now, one of the larger controversies is the number of background checks the production team are doing — something Harrison promises is getting better.

“I do know that measures were taken and people were hired to do some deep dives into peoples’ social media and to try to cover our bases as much — as much more — as possible,” he told The Hollywood Reporter in 2019. “But at the end of the day, we live in a very different world than when the show started 17 years ago. We’re evolving and changing and doing the best you can. But there will be things that come up. You hate to be reactive; you’d love to be proactive. But you can only be so proactive. Stuff is going to happen, so you just do the best you can with the information you have at the time.”

Ultimately, as much as it’s a cliché, the show is constantly looking for people who are there for the right reasons. Us Weekly has gathered a list of all the winners of The Bachelor and The Bachelorette over the years — it’s up to you to decide who was competing for true love.

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An American beauty and the big but not-so-friendly giant

The big but not-so-friendly giant: How Roald Dahl’s marriage to Patricia Neal was scarred by the loss of a child – and finally destroyed by the author’s adultery

The legendary Oscar-winning Hollywood star Patricia Neal, whom I knew during some of the many vicissitudes in her astonishing life, once said of her tempestuous 30-year marriage to the writer Roald Dahl: ‘Our life together was the stuff of which movies are made.’ 

Her remark was prophetic. In 1981, while they were still married, the couple became the subject of a TV movie, The Patricia Neal Story, starring Glenda Jackson as Neal and Dirk Bogarde as Dahl. 

Now, with both of them no longer alive, an infinitely more penetrating account of their frequently traumatic, sometimes brutal, and ultimately tragic marriage is soon to be released, starring Keeley Hawes as Neal and Downton Abbey’s Earl of Grantham, Hugh Bonneville, as Dahl. 

Based on Stephen Michael Shearer’s biography, Patricia Neal: An Unquiet Life, the film is titled To Olivia, the name of the Dahls’ adored daughter who died at the age of seven from measles-related encephalitis. 

The tragic personal life of Roald Dahl, especially the period of his marriage to the Hollywood star Patricia Neal, is the subject of a new film starring Hugh Bonneville and Keeley Hawes

Neal was a beguiling character and the least theatrical actress I have ever known.

Willowy, sardonic and deeply intelligent, she had beautiful green-brown eyes, an unforgettably husky voice resonant with the timbre of her Kentucky and Tennessee origins, and an explosive barmaid’s laugh. 

A tough, gritty realist, conversationally she fired from the hip –— never prevaricating — and slugged her way through a life that veered irrationally from triumph to tragedy and back again. 

After passionate but ill-starred affairs with the future American president Ronald Reagan, and screen legend Gary Cooper, she drifted reluctantly into marrying without love the writer Roald Dahl, one of the most complex men of his generation, a wartime secret agent, a serial womaniser, and a ruthlessly detached, cold-blooded character who was capable of extreme emotional cruelty. 

Their life together was undermined by a series of devastating tragedies. 

One of their five children, Theo, was brain-damaged in a horrifying road accident. This was followed by the loss of Olivia, who died within a few days of contracting measles. 

At the peak of Neal’s career, only two years after winning her Oscar for her portrayal of Alma Brown in the 1963 western Hud, she suffered a series of massive strokes that left her paralysed, unable to walk, partially blind and with badly impaired speech. 

Her career appeared to be over, but Dahl, at his most ruthless, imposed a gruelling recovery regime on his wife that has since largely been adopted as the standard therapy for all stroke victims.

Keeley Hawes stars as Patricia Neal in the upcoming film ‘An Unquiet Life’ that focuses on her tragic marriage to author Roald Dahl played by Hugh Bonneville

Neal, against all expectations, returned to the screen to win a further Oscar nomination and worldwide admiration that bordered on heroine status. 

She even had a rehabilitation centre named after her. 

Patsy Louise Neal had the most untheatrical debut in life imaginable. Born in 1926 in a mining camp in Packard, Kentucky, she was the daughter of a transportation manager for the Southern Coal And Coke Company. 

In spite of this, she would later say: ‘I was one of those people born to be an actress. I remember being about 11 and going to church to give a monologue, and I said to myself, ‘This is what I want to do’.’ 

Neal and Dahl holidaying together. Their marriage was marked by tragedy and infidelity

She left Northwestern University in Illinois in 1943 to go to New York to play a role in Eugene O’Neill’s A Moon For The Misbegotten.

She met O’Neill in person after he attended one of her performances. 

‘I think his interest was personal,’ she recalled. Even then she had no illusions about the ways of the world. 

‘Flirting was a tool of the trade and I was an expert. It’s terrible what I did in those days. 

‘I don’t know what happened to my morals. If I wanted someone, I wanted them.’ 

Patricia Neal (1926-2010) married Roald Dahl in 1953 but they divorced in 1983

After understudying on Broadway at 19 in The Voice Of The Turtle, she won the first-ever Tony Award for her performance as the calculating opportunist, Regina, in Another Part Of The Forest, and her career lifted off at the age of 20. 

When Jane Wyman announced that she was separating from her husband, Ronald Reagan, Warner Brothers gave Neal the role Wyman was to have played opposite Reagan in John Loves Mary. 

Reagan was devastated by the break-up of his marriage, and broke down in tears in front of Neal. 

Reagan and Neal began an affair which continued in a later film they made together, The Hasty Heart, but it came to nothing because, by then, she had fallen in love with one of Hollywood’s most legendary icons, the heavily married Gary Cooper, whom she played opposite in The Fountainhead. 

American actress Patricia Neal with her husband, writer Roald Dahl (1916 – 1990), at the Screen Directors Awards, circa 1962

Cooper, at 48, was 25 years her senior and had been married for 16 years to his wife, Veronica. Neal found ‘Coop’ ‘the most gorgeously attractive man’, but when his wife learned of their affair, she sent Neal a telegram demanding that they end it, and Cooper’s daughter, Maria, spat at Neal in public. 

Cooper wavered over the possibility of leaving his wife, and when he found out that Neal was pregnant, he urged her to have an abortion. 

She did so, but it was the one act in her life that she bitterly regretted for ever after. 

When her affair with Cooper ended, Neal suffered a severe nervous breakdown and left Hollywood for New York. 

Actress Patricia Neal and Gary Cooper in a scene from the movie “The Fountainhead” where the two met and became lovers – the relationship ended after he forced her to have an abortion

She would always describe Gary Cooper as her only true love. ‘He is one of the most beautiful things that ever happened to me. I love him even now,’ she confessed 40 years later.

But she added: ‘If I had only one thing to do over in my life, I would have that baby.’ 

Neal was about to go into rehearsal for a Broadway revival of Lillian Hellman’s play, The Children’s Hour, when she attended a dinner party at Hellman’s home, and there met Roald Dahl, later to find fame as a children’s author with titles such as The BFG (Big Friendly Giant), who was then working for The New Yorker magazine. 

Dahl, British-born of Norwegian parents, was ten years Neal’s senior and had arrived in New York in 1942 as a 26-year-old RAF officer, appointed as an assistant air attaché. 

He almost immediately began working for British Security Coordination, a branch of MI6, which controlled more than a thousand wartime secret agents.

He rapidly established himself in New York as a serial womaniser and skilled flirt. 

One of the first to become a willing victim to his ‘manly beauty’ was Beatrice Gould, co-editor of the Ladies’ Home Journal. 

Other wealthy and usually older women also succumbed. Before long, Dahl had a ‘whole stable’ of ladies who considered him ‘drop-dead gorgeous’. 

One friend thought him ‘very arrogant with women, but he got away with it. The uniform didn’t hurt one bit. I think he slept with everybody on the East and West coasts that had more than $50,000 a year’. 

One celebrated older woman who succumbed to Dahl’s allure was Congresswoman Clare Boothe Luce, a relationship said to have been encouraged by the British Embassy in Washington. 

Dahl is alleged to have told the British Ambassador, Lord Halifax, that he was ‘all f****d out’ because Luce had ‘screwed (him) from one end of the room to the other for three goddam nights’. 

Dahl was also showered with expensive gifts by the American oil heiress Millicent Rogers, who was simultaneously having an affair with Dahl’s friend, James Bond creator Ian Fleming. 

Another of Dahl’s friends, David Ogilvy, observed that while he may have enjoyed putting notches on his bedpost, his partners were often hurt. 

‘When they fell in love with him, as a lot did, I don’t think he was nice to them,’ said Ogilvy. 

According to Dahl’s biographer, Donald Sturrock, during his four years in Washington, ‘he had experienced enough excitement to last a lifetime, while the realities of war had added a cynical, misanthropic, and world-weary aspect to his personality’. 

This was the man who, in 1952, turned his attentions to Patricia Neal. Her reaction to him was cold. 

She was later to say that she initially ‘loathed’ Dahl. ‘I was infuriated by his rudeness,’ she added. 

After aborting her baby by Gary Cooper, however, Neal desperately wanted children, so she married Dahl in 1953. 

But she would later admit that she did not love him. They bought Gipsy House in Great Missenden, 30 miles from London, and divided their lives between there and New York. 

In 1960, just after Neal had finished filming Breakfast At Tiffany’s, the Dahls’ four-month old baby son, Theo, was braindamaged when his pram was hit by a taxi, his skull shattered by the force of the impact. 

Fluid built up in his cranial cavity, causing him to go blind. 

Doctors inserted a tube to drain the fluid, but six times in the next nine months, the tube became blocked, causing further blindness. 

In his determination to help his son, Dahl almost abandoned his writing career to work with toymaker Stanley Wade and paediatric neurosurgeon Kenneth Till on the development of a ‘cerebral shunt’ for draining fluid that became known as the Dahl-Wade-Till (DWT) valve. 

The valve went on to be used successfully on almost 3,000 children around the world. 

Two years after Theo’s accident, tragedy struck the Dahls again when — as we have seen — their seven-year-old daughter Olivia died from encephalitis. 

Dahl sobbed on Neal’s shoulder and she knew he was ‘destroyed’. 

Yet he seemed unable to acknowledge his wife’s suffering. 

It was then, she decided, that the ‘landslide of anger and frustration’ began that almost buried their family. 

In 1964, Neal reached the peak of her career when she won the Best Actress Oscar, Bafta and New York Film Critics Award for her performance opposite Paul Newman in Hud. 

She won a further Bafta award in 1966 for In Harm’s Way, co-starring John Wayne. 

She had just begun filming Seven Women for acclaimed director John Ford, and was pregnant with her fifth child, when she suffered three massive strokes. 

Doctors removed blood clots from her brain and she was in a coma for 21 days, during which showbusiness news­paper Variety mistakenly announced her death. 

When she regained consciousness, she was paralysed on her right side, unable to walk, and had impaired speech and partial blindness in her right eye. 

Her fifth child, Lucy, was born healthy, but Dahl realised Neal had only months in which to re-learn what had been lost. 

He imposed a ruthless regime on her, forcing her to ask for things by their correct name and word, or go without them. 

At the end of ten months, Neal’s only remaining infirmity was the loss of vision in her right eye. 

Showbusiness cynics were convinced she would never work again, but in 1968 she made a miraculous return to the screen in The Subject Was Roses, for which she won another Oscar nomination.

President Lyndon Johnson presented her with the Heart Of The Year Award and, in 1978, the Patricia Neal Rehabilitation Centre opened in Knoxville, Tennessee. 

But if her career endured, her marriage did not. She had befriended a young widow, Felicity Crosland, who — after accepting an invitation to stay at Great Missenden — repaid Neal’s hospitality by becoming her husband’s mistress.

When Neal learned of their affair, she was devastated and returned to New York, this time for good. 

She and Dahl were divorced in 1983. He died in 1990. 

In her 1988 autobiography, Neal wrote: ‘Frequently my life has been likened to a Greek tragedy, and the actress in me cannot deny the comparison’. 

But Patricia Neal, the courageous and gutsy survivor, did not dwell on her tragedies. 

When lung cancer ended her life at the age of 84 on August 8, 2010, her family said that ‘she faced her final illness as she had all the many trials she had endured: with indomitable grace, good humour and a great deal of her self-described stubbornness’. 

Her own last words on her extraordinary life were heart-warmingly positive. ‘I’ve had a lovely time,’ she said.

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Robert Pattinson Had an Absolutely Deranged Pasta Recipe, So Naturally People Had to Make It

Actor Robert Pattinson shot to fame almost overnight with his role as the sexy vampire, Edward Cullen, in the Twilight Saga movie franchise. More recently, he was filming his upcoming movie, The Batman, before the global pandemic shut operations down. 

While in lockdown, Pattinson gave a somewhat bizarre interview with GQ magazine about how he has been coping – and blew up his microwave in the process. We’ll fill you in on the details of what happened.

Robert Pattinson’s chaotic interview with GQ

RELATED: Why Robert Pattinson Refuses to Get Ripped to Play Batman

Pattinson’s GQ interview begins with the star admitting that he has no sense of time, and that this is not a new symptom of the lockdown. Apparently, Pattinson has always struggled with knowing what day it is:

“It’s a complaint which a lot of people have about me. This total… I don’t have a sense of time. I think something two years ago could actually be a week ago. It’s definitely been a complaint about my personality,” he shared in the interview.

The GQ article paints Pattinson as somewhat of a paranoid oddball who has tried to hide out from the world when he can, considering his enormous fame. “I’m so terrified of being, like, arrested. You’re allowed to run around here. But the terror I feel from it is quite extreme,” he is quoted as saying about the lockdown procedures in London, where he’s currently waiting out the pandemic. 

Pattinson blew up his microwave with his bizarre pasta recipe

But perhaps the most bizarre part of the interview is an enormous section of the article dedicated to Pattinson’s adventures with microwaved pasta. He shared that he once had a business idea to make “a pasta that you can hold in your hand”, which he named Piccolini Cuscino, or Little Pillow in Italian.

He even had a business meeting with the co-founder of the Santa Monica pasta restaurant Uovo, whose utter lack of a reaction discouraged Pattinson for a while.

Pattinson’s “recipe” is as follows: first, he microwaved some sort of pasta for eight minutes. Then, for a reason not known to the readers, he piled sugar and sliced cheese on top of each other inside aluminum foil and topped it off with crushed cornflakes, which he used because he couldn’t find breadcrumbs at the store.

After adding some red sauce (when the interviewer tried to clarify whether the recipe called for tomato sauce, Pattinson vaguely replied that “any sauce” would do) and the microwaved pasta, Pattinson topped the entire creation off with a hamburger bun that he flambéed with a retro lighter.

And — despite the interviewer’s warnings – tried to warm the whole thing up in a microwave, aluminum foil and all, which — of course — promptly exploded.

Fans try the recipe; say it’s disgusting

RELATED: Why Robert Pattinson Almost Punched Director Robert Eggers on Set

Fans were understandably bewildered by Pattinson’s Piccolini Cuscino. Some were brave enough to try the recipe out for themselves at home. A Twitter user shared a photo of a globby mess wrapped in tin foil with the caption, “[B]ehold [I] made Robert Pattinson’s Piccolini Cuscino.”

The tweet garnered over 400 likes, with fans expressing their disgust in response. “How much did you puke later?” someone reasonably asked. “[N]eeds more sugar,” another replied sarcastically.

Edith Young from Man Repeller also made a brave attempt at the mysterious Piccolini Cuscino, and took readers through each step. “It actually smells kind of good,” Young admits while she’s in the process of preparing the dish. Alas, it doesn’t seem to have tasted as good as it smelled; Young writes, “I conclude that this dish would be well-suited for the menu of a Catskills resort, where an elderly woman once said to her friend: “Boy, the food at this place is really terrible.” 

It doesn’t seem like Pattinson will be opening up his own pasta restaurant anytime soon.

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Ken Osmond Had an Entirely Different Career After 'Leave It to Beaver'

Ken Osmond passed away on May 18. Most of his obituaries noted his role in the classic TV show Leave It to Beaver because the seminal family comedy featured his most prominent role as Eddie Haskell. Haskell was best friend to The Beaver (Jerry Mathers)’ older brother Wally (Tony Dow). Osmond appeared in other TV shows and movies, but he also had another entire career outside of show business. 

Ken Osmond auditioned for ‘Leave It to Beaver’ at age 14

Osmond was 14 years old when he auditioned for the role of Eddie Haskell. According to The Hollywood Reporter, Haskell was originally only a character in one episode but he ended up recurring for the entire series. Haskell would simultaneously make fun of Beaver while kissing up to the Cleaver parents. 

“He was a terrific guy, he was a terrific actor and his character is probably one that will last forever,” Dow told the Associated Press. “He was one of the few guys on the show who really played a character and created it.”

Ken Osmond worked for the LAPD

In 1970, Osmond went to work for the Los Angeles Police Department as a motorcycle officer. According to an interview in The Chicago Tribune, Osmond said being a motorcycle cop was his real dream. His mother had pushed him into acting, although he enjoyed it and returned to the screen after he retired from the force in 1988.

In one month in 1980, Osmond endured two shootings on the job. In the first, his bulletproof vest and his belt buckle stopped the bullets. “I thought I was dying,” Osmond testified against Albert Cunningham for the shooting in 1988, according to the Associated Press. “I saw a flash of light and the next thing I knew, I was flat on my back on the sidewalk, 10 to 15 feet away. I was not able to move.”

By 1985, the shootings had left Osmond too stressed to continue serving and he filed for his pension, according to the Los Angeles Times. The Times later reported the LAPD denied his pension claim. Finally, he retired from the LAPD in 1988.

Return to acting

This decade has seen TV reboots of Full House, Will & Grace, Roseanne, The X-Files, Murphy Brown and more, but this isn’t just a modern nostalgia thing. They brought back Leave It to Beaver in the ’80s, so the original cast returned. 

First, there was the 1983 TV movie, Still the Beaver. That became the series Still the Beaver which ran for four seasons from 1983 – 1989. Osmond reprised his role as grown-up Eddie Haskell. This time, he had his real life sons, Eric and Christian, played Haskell’s sons.

Mathers himself once wrote on JerryMathers.com, “You brought to life a mischievous villain that is so much NOT like you that it’s hard for me to believe that you could play such a great character so different from the real you. Who would have thought that the name ‘Eddie Haskell’ would become synonymous with all the things that Ken Osmond isn’t!”

Osmond also added episodes of Happy Days, Rags to Riches, Parker Lewis Can’t Lose and Hi Honey, I’m Home to his resume after he retired from police work. The 1997 Leave It to Beaver movie also had him play Eddie Haskell (Adam Zolotin)’s father.

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I know my husband is having an affair but he claims a woman is stalking him – The Sun

DEAR DEIDRE I found messages from another woman on my husband’s tablet but he tried to make out she had been stalking him.

He is 34 and I am 30. He had depression after his dad died last year.

I recently got a message from a woman my husband works with saying he had been seeing her for months but they had now finished.

I checked his phone.

There were photos of them having a day out with her toddler.

When I confronted him he said he went because he likes children but their messages made it clear they were having sex.

He deleted his Facebook account but I don’t trust him any more.

Get in touch with Deidre today

Got a problem?

My team and I are working safely from home but we are here to help you as always.

Send an email to [email protected]

Every problem gets a personal reply, usually within 24 hours weekdays.

You can also send a private message on the DearDeidreOfficial Facebook page.

Follow me on Twitter @deardeidre.

DEIDRE SAYS: Losing his dad doesn’t excuse his behaviour but may have made him question his life choices.

Now he needs to take responsibility and not blame the other woman.

You can be stronger than before if you still love one another, but you both have to make an effort to rebuild.

My e-leaflet Cheating – Can You Get Over It? shows it’s possible.

He can find support through Cruse bereavement care (cruse.org.uk, 0808 808 1677).

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How to fry an egg with a perfectly runny yolk

Last weekend, we showed you how to scramble and flip eggs like a pro.

We’ve spoken to the chefs at Eggslut yet again, this time to teach you how to fry eggs with an Insta-worthy runny yolk.

It’s a tricky challenge – leave the egg for too long and you might burn the albumen (the white part) or the yolk might set. Then again, try it too soon, and the yolk may escape before you’re ready.

Don’t worry, we’ve got you.

What you need

  • Rapeseed oil (though olive or vegetable works just as well)
  • One egg
  • A small frying pan

How to make an egg with a runny yolk

Check back tomorrow for your final egg-themed challenge.

It’s a millennial favourite: poached eggs. Avocado and toast is optional.

Do you have a recipe or cooking hack that you want to share with us?

Get in touch by emailing [email protected].

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Will coronavirus put an end to sex scenes on film and TV?

I don’t want to get all hormonal teenage boy on you, but I sure hope coronavirus doesn’t spell the end of the sex scene.

But it might. For the foreseeable future anyway.

With film sets around the world shuttered after coronavirus began to spread, it’s obvious something will change when actors finally return to set.

This week, with production given the green light to begin – albeit with a raft of new rules – draft regulations hinted at what the new norm will involve on socially-distant sets.

Some I can handle, such as pre-packaged craft services, and extras being replaced by CGI for the time being. But when it comes to telling stories, what happens to the humble sex scene?

You can hardly make out, let alone make it look like you’re bumping uglies from a safe two-metre distance.

But even worse, with the rules suggesting actors ‘should work back to back or shoulder to shoulder, rather than face to face’, that just doesn’t make lovin’ – or the illusion of it – all that conducive.

While I’m hardly chanting ‘kiss, kiss, kiss’ whenever two actors vibe a little chemistry on the screen (well, most of the time anyway – I am a child), I mourn for the sexy interactions we’re going to miss in the next round of creative endeavours in the cinema.

Whether you’re clutching your pearls or not, you have to admit sex adds a certain je ne sais quoi to festivities.

What is better than two characters that have been pining for one another finally getting down?

Or, at the very least, characters in your favourite rom-com having a delightful pash under some fairy lights in the garden?

That iconic scene in The Notebook between Rachel McAdams and Ryan Gosling, when they share a rainy snog on the dock, wouldn’t exist had it been scheduled to film later this year.

And you can think again about that upside-down kiss from Spider-Man – you won’t even get a handshake these days.

Everyone is talking about TV series Normal People right now as well, which has a combined 41 minutes of sex scenes in its 12-episode run.

Should it have been filmed only months after it was, in the mayhem of production shutdown, who knows what those 41 minutes would have been filled with.

I can hardly imagine people getting all sorts of hot under the collar from some lingering stares instead (mind you, I can think of some radio listeners that might have preferred it).

What if, without sex scenes, the industry just decides to put them in the ‘too-hard basket’ and ditch them altogether?

Sex scenes bring us together, from the playground giggles when you dissected stolen glances of a post-watershed show you watched when you were meant to be in bed, to the coming-of-age movies you inhaled during teen sleepovers, way too young to be feasting your eyes on such smut.

For many, whether rightly or wrongly, intimate scenes in movies are how we learned the cues of courtship and flirting. It was how we formed some expectations of sexual interaction, before porn came in and turned that up to 11 – but arguably not in a good way.

At their best, they give us butterflies and, in some, raise our standards for what romance could be (rose petals and orchestral strings timed to passionate, er, movements is totally natural, right?).

I wonder how, as a viewing public, we’ll change should sex scenes turn into some weird, two-shot moment with actors trying to bring the illusion of intimacy without actually touching or being within 200 centimetres of one another.

Will people start to accept a good hug as just as brilliant as going all the way (yes, I just said ‘going all the way’ – my parents read this); or will kids have an incredibly warped view of what sex actually is for a couple of years if they’re not seeing it in the cinema?

Is it dramatic of me to wonder if the birth rate might go down? Is that too much?

Rather conveniently though, the end of the sex scene for a period may mean that we’ll be given a little respite from watching some awkward scenes with our parents.

No more staring straight ahead, trying not to blush as two actors loudly moan and thrust and pant and… you get the drift, with your dad, like, right there.

Well, that is, if we can ever hang out with our parents again…

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Where is EastEnders new set and can you visit?

EASTENDERS is currently in the midst of building an entire new £87million set only a few yards from the old one.

The project has come under fire for being expected to go over budget by a staggering £27 million as well as taking two and a half years extra to complete – so why was the new set necessary in the first place? Here’s everything you need to know…

  • Visit our dedicated EastEnders page for all the latest spoilers, pictures and gossip from Albert Square

Where is the EastEnders new set?

The new EastEnders set is being built at the BBC's Elstree Centre in Borehamwood, opposite the current one used on screen.

EastEnders showed fans a glimpse of the new Queen Vic last month, which is finally taking shape on the corner of the Square. 

The new updated set will also include additions to the Square including a block of flats as well as a railway tunnel and line for the famous Walford East tube station.

Why have BBC made a new set?

BBC bosses took on the mammoth task of building a new set to make Walford HD-ready.

The current set was built back when the show originally launched in 1984 and was only intended to be used for two years. 

The current set is stopping EastEnders from filming in HD as show bosses fear viewers would notice that the fronts of the Queen Vic and its surrounding buildings are made of plaster and plywood. 

The HD set’s buildings will be made entirely out of brick, but look identical to the old ones.

The BBC said in a statement: "The set of EastEnders was built in 1984 and only intended for use for two years.

"Over 30 years later, the show remains one of the BBC’s flagship programmes and yet is filming from a set that is no longer fit for purpose.

"The new set will be suitable for HD filming for the first time and extend Walford to better reflect modern East End London."

Can you visit?

Due to the soap’s filming schedule – which was four 30-minute episodes prior to coronavirus – there have previously been no tours of the EastEnders sets or of the studio. 

And given that the current home of EastEnders in Elstree isn’t accessible to the general public, it seems unlikely that the new set will be. 

EastEnders have announced that the set, which was originally supposed to be completed by 2018, won't be ready until around 2023, so fans will have to wait a few years for more news on potential visits. 

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Tyson Fury ‘mentally stronger’ than Anthony Joshua, coach Andy Lee claims

Tyson Fury is mentally stronger than Anthony Joshua and would overcome his British rival in similarly commanding fashion to how he defeated Deontay Wilder, according to the WBC heavyweight champion’s coach Andy Lee.

Fury got his hands on one of the four major world belts again when he ended Wilder’s long reign as champion, knocking the previously-unbeaten American down twice en route to a seventh-round stoppage in February.

While he is contractually obliged to face Wilder for a third time and Joshua is scheduled to take on Kubrat Pulev next, the outbreak of coronavirus and subsequent suspension of major boxing shows has clouded the issue.

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Speculation is rife a domestic dust-up could take priority but Lee can only see one outcome in a fight which would determine the undisputed world heavyweight champion.

“I think (Joshua) is still an improving fighter,” Lee told The Boxing Show on Sky Sports. “A little bit of inexperience and mentally he’s not as strong as Tyson.

“I think Tyson would beat him in eight rounds. I like Anthony Joshua, I think he’s a great fighter, a great champion.

“I still think it’s a great fight and a great match-up and it’s the only real match-up in the heavyweight division left for both guys, but I think Tyson wins in a similar fashion to what he did to Wilder.”

Lee was brought into Fury’s camp ahead of the Wilder rematch and it was the former WBO middleweight champion who suggested Javan ‘SugarHill’ Steward taking the lead as head trainer ahead of the bout.

The new coaching set-up proved highly successful as Fury delivered arguably the finest performance of his career.

Such was the one-sided nature of the contest, Lee believes Wilder would be unwise to jump straight back in with Fury.

“Everything is in open play again, whatever fights were made before the lockdown kind of become null and void in that everything is up for renegotiation again,” Lee added.

“If I was in Wilder’s team, I would say ‘take another fight, maybe Andy Ruiz or somebody else, and get a win, get your confidence back up and try to improve then come back and fight Tyson again for the trilogy’.

“If they fight again, I can only see it going the same way, if not even more emphatic for Tyson.”

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